Papers › Towards Unified Music Emotion Recognition across Dimensional and Categorical Models

Towards Unified Music Emotion Recognition across Dimensional and Categorical Models

6 Feb 2025arXiv:2502.03979archive 2025-07-28

Jaeyong Kang, Dorien Herremans

One of the most significant challenges in Music Emotion Recognition (MER) comes from the fact that emotion labels can be heterogeneous across datasets with regard to the emotion representation, including categorical (e.g., happy, sad) versus dimensional labels (e.g., valence-arousal). In this paper, we present a unified multitask learning framework that combines these two types of labels and is thus able to be trained on multiple datasets. This framework uses an effective input representation that combines musical features (i.e., key and chords) and MERT embeddings. Moreover, knowledge distillation is employed to transfer the knowledge of teacher models trained on individual datasets to a student model, enhancing its ability to generalize across multiple tasks. To validate our proposed framework, we conducted extensive experiments on a variety of datasets, including MTG-Jamendo, DEAM, PMEmo, and EmoMusic. According to our experimental results, the inclusion of musical features, multitask learning, and knowledge distillation significantly enhances performance. In particular, our model outperforms the state-of-the-art models, including the best-performing model from the MediaEval 2021 competition on the MTG-Jamendo dataset. Our work makes a significant contribution to MER by allowing the combination of categorical and dimensional emotion labels in one unified framework, thus enabling training across datasets.

PaperPDFCodeCode Syntology ran

In Syntology View this paper on Syntology: its repositories, every harvested function with whether it ran, its licence and the call to fetch it.

Open this paper in Syntology's Atlas, the map of the papers in Syntology's graph and their citations.

For agents, Syntology's MCP tool lists every function and class Syntology harvested from this paper and whether it ran (how to connect): get_harvested_code_for_paper(arxiv_id="2502.03979")

Code

Syntology Ran 4 of 5 code samples harvested from 1 repository linked to this paper; 1 has no recorded run. Of those that ran: 4 ran with no contract checked.

By repository: official repository: 5 samples from 1 repository, 4 ran. The run record, sample by sample. “Ran” means executed on a synthesized input, not that the code is correct or reproduces the paper.

AMAAI-Lab/Music2Emotion officialmentioned on GitHubpytorchMIT report

Repository list and official/mentioned flags are the archive's, frozen 2025-07-28. Reachability, where shown, is from one Syntology probe window (2026-09-16 to 2026-09-18); repositories not probed show nothing. GitHub stars are not tracked.

Code Syntology ran Syntology

5 samples harvested; 4 ran; 0 honoured the contract we drafted; 1 has no recorded run. Read from Syntology's graph 2026-09-25; that is when this build read the record, not when the samples ran.

4ran
1unverified

Licence: 0 of the 5 samples are pointer only, meaning Syntology does not serve that copy's text. This page shows no code text for any sample; each one links to its file in the repository.

Harvested from AMAAI-Lab/Music2Emotion. “Ran” means the sample executed on a synthesized input. It does not mean the output is correct, and nothing here reproduces the paper's results. “Honoured” and “violated” refer to a contract Syntology drafted from the code itself; “our draft was wrong” and “fixture could not drive it” are failures of Syntology's instrument, not of the code.

Each sample ends with its code_sha256, Syntology's identity for that exact code. An agent fetches the stored sample with Syntology's MCP tool get_code(code_sha256="…") (how to connect); click an identity to copy that call.

Repository labels, per sample. official repository: The archive marks this repository official for the paper. named in the paper: The archive records that the paper mentions this repository; it is not marked official. community (archive-listed): In the archive's code links for this paper, not marked official and not recorded as mentioned in the paper. found in paper text by Syntology: Syntology found this repository in the paper's own text; whether it is the authors' implementation is not asserted. community: Not in the archive's code links for this paper; a community repository Syntology harvested. Samples from a repository marked official are listed first. Licence labels name the repository's licence as recorded at harvest. “Pointer only” means Syntology does not serve that copy's text, for one of four reasons: no licence file was found; the licence was not identified; the licence is recorded as permissive but that copy's record is not marked cleared; or the licence is outside the permissive list Syntology serves text under (MIT, Apache-2.0, BSD and similar). Some licences outside that list permit redistribution, such as WTFPL, and GPL-3.0 under its conditions; they are simply not on the list. Hover a licence label for the reason. File links open the file on GitHub at the default branch, which may have changed since the harvest.

get_audio_paths AMAAI-Lab/Music2Emotion/utils/mir_eval_modules.py official repository ran fingerprinted MIT (permissive) · 8504ad451d886c64 · report
get_lab_paths AMAAI-Lab/Music2Emotion/utils/mir_eval_modules.py official repository ran fingerprinted MIT (permissive) · 561d8d0de9adaf3b · report
normalize_chord AMAAI-Lab/Music2Emotion/music2emo.py official repository ran MIT (permissive) · e9f99ab48d5eb206 · report
sanitize_key_signature AMAAI-Lab/Music2Emotion/music2emo.py official repository ran fingerprinted MIT (permissive) · 1fefbb553a9045c7 · report
gather_all_results AMAAI-Lab/Music2Emotion/trainer.py official repository unverified MIT (permissive) · f9380e30c46b4699 · report

Tasks

Emotion RecognitionKnowledge DistillationMusic Emotion Recognition

Results from the paper archive 2025-07-28

No leaderboard rows for this paper in the archive.

Methods

Knowledge Distillation

Report a problem or propose a change · a person checks every report against the paper or source before anything changes; decisions are listed on /corrections