{"about":{"site":"https://codewithpapers.app","non_affiliation":"Code with Papers and Syntology are not affiliated with, endorsed by, or sponsored by Papers with Code, Meta, or the pwc-archive mirror.","licence":"CC BY-SA 4.0","licence_url":"https://creativecommons.org/licenses/by-sa/4.0/legalcode","attribution":"https://codewithpapers.app/attribution","modified":"archive material modified by Syntology; see the attribution page"},"url":"/paper/automatic-estimation-of-singing-voice-musical","title":"Automatic Estimation of Singing Voice Musical Dynamics","arxiv_id":"2410.20540","date":"2024-10-27","proceeding":null,"authors":["Jyoti Narang","Nazif Can Tamer","Viviana De La Vega","Xavier Serra"],"abstract":"Musical dynamics form a core part of expressive singing voice performances. However, automatic analysis of musical dynamics for singing voice has received limited attention partly due to the scarcity of suitable datasets and a lack of clear evaluation frameworks. To address this challenge, we propose a methodology for dataset curation. Employing the proposed methodology, we compile a dataset comprising 509 musical dynamics annotated singing voice performances, aligned with 163 score files, leveraging state-of-the-art source separation and alignment techniques. The scores are sourced from the OpenScore Lieder corpus of romantic-era compositions, widely known for its wealth of expressive annotations. Utilizing the curated dataset, we train a multi-head attention based CNN model with varying window sizes to evaluate the effectiveness of estimating musical dynamics. We explored two distinct perceptually motivated input representations for the model training: log-Mel spectrum and bark-scale based features. For testing, we manually curate another dataset of 25 musical dynamics annotated performances in collaboration with a professional vocalist. We conclude through our experiments that bark-scale based features outperform log-Mel-features for the task of singing voice dynamics prediction. The dataset along with the code is shared publicly for further research on the topic.","url_abs":"https://arxiv.org/abs/2410.20540v1","url_pdf":"https://arxiv.org/pdf/2410.20540v1.pdf","source":{"archive":"pwc-archive (Hugging Face), CC BY-SA 4.0","snapshot":"2025-07-28","licence_url":"https://creativecommons.org/licenses/by-sa/4.0/legalcode","row_kind":"abstracts"},"code_links":[{"paper_slug":"automatic-estimation-of-singing-voice-musical","repo_url":"https://github.com/MTG/SingWithExpressions","is_official":1,"mentioned_in_paper":0,"mentioned_in_github":0,"framework":"none","reach":null}],"tasks":[],"methods":[{"method_slug":"attention","method_name":"Attention"},{"method_slug":"linear-layer","method_name":"Linear Layer"},{"method_slug":"multi-head-attention","method_name":"Multi-Head Attention"},{"method_slug":"softmax","method_name":"Softmax"}],"datasets_introduced":[],"methods_introduced":[],"results":[],"syntology":{"syntology_url":null,"atlas_url":null,"mcp":null,"developers":"https://syntology.ai/developers"},"arxiv_metadata":null,"syntology_extracted_results":null}